Quick Review : Baby Driver (2017)

This is an exemplary case of style of substance. Edgar Wright manages to blend sound effects and soundtrack to a degree almost extraordinary in its accomplishments. On a technical level, it’s a marvel. To look at and hear, Baby Driver is astonishing. But, but it fails on the levels of story and character. The main character, Baby, is just as quiet as the Driver out of Dive, but he’s simply forgettable. Everybody else is merely there; chess pieces in Wright’s marvel without personality.

baby driver baby
This car has more personality than Baby

Next: the story is something we’ve all seen before, and there’s nothing new or unique to alter our perceptions. I never thought I’d say this about an Edgar Wright film, but more than a few times, I was bored. Also, like many films of its kind, it run out of steam before the third act. Not a bad film by any means, just style over substance and everything else.

Hammy’s Rating: 3/5

Memorable Scene

TEQUILA!

Memorable Quote

‘Let’s head West on the 20, in a car we can’t afford, with a plan we don’t have’

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Review: Baywatch (2017) (Nothing Glistens In Emerald Bay)

“Our team is the elite of the elite”

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Review: Ghost in the Shell (2017) (Another Dodgy Remake of a Japanese Classic?)

“It’s okay, just breathe”

Within a month or two, we’ve had two live action remakes of classic animations. The first was ‘Beauty and the Beast,’ which recreated the original faithfully but felt wholly unnecessary. Now, we have ‘Ghost in the Shell,’ a remake of the beloved 1995 Japanese anime. Yes, there were concerns about ‘whitewashing.’ Why cast Scarlett Johannsen as the main character? Why not a Japanese actress? But the whitewashing is one of the many problems that one encounters whilst watching ‘Ghost in the Shell.’ A lame script, an irritating Westernisation of the original’s plot and endless shots of the (admittedly impressive) futuristic city are among the other big problems. Continue reading